Tweel has a promising history at Sundance, where his documentaries “Finders Keepers” and “Gleason” were big hits that sold big. For the many generations impacted by that legacy - and others who deserve to know about it - “Being Mary” is a welcome return to Moore’s impact and should make some noise at Sundance, just as Amy Poehler’s “Lucy and Desi” documentary did well there last year. She was later nominated for an Oscar in “Ordinary People,” and found another moment to reenter the zeitgeist with 1996’s “Flirting with Disaster,” all while overcoming alcoholism and diabetes. The first authorized look at Moore since her 2017 death, the documentary promises to encompass everything from her early days on “The Dick Van Dyke Show” to her remarkable seven-season run on her own famed sitcom that changed the way women were portrayed on television. Lena Waithe serves as an executive producer on this trenchant look at Mary Tyler Moore from director James Adolphus (“Soul of a Nation”). Lena Waithe serves as an executive producer through her company Hillman Grad. Two years later, the short premiered at TIFF, setting Rockwell on a course to making her feature debut, “A Thousand and One,” which also aims to tell a sensitively rendered story about a young Black family just trying to get by. Back in 2016, the then-student won the top prize of the Through Her Lens: Tribeca Chanel Women’s Filmmaker Program, a three-day intensive which ended with her pitching her short film concept, “Feathers,” to a starry jury. Rockwell is a rising star who should be on everyone’s radar, but she’s been building up to that point for some time. A cautionary tale about the dangers of misinformation and religious convictions, “Aum” promises to reintroduce these shocking events with the historical context they deserve. Kaplan and Andrew Marshall’s acclaimed 1996 nonfiction book, with a title that says it all: “The Cult at the End of the World: The Terrifying Story of the Aum Doomsday Cult, from the Subways of Tokyo to the Nuclear Arsenals of Russia.” Centered on the eerie cult known as Aum Supreme Truth, it tells the story of New Age zealots intent on destroying the worlds - with the technological tools to do it.īoth terrifying and essential for the way it shows the fundamental vulnerability of society, the documentary promises a revealing look at the group responsible for the sarin gas attack on a Tokyo subway in 1995 and the ensuing trial of cult leader Shoko Asahara, who was executed in 2018. Sam Bergeson, Christian Blauvelt, Jude Dry, David Ehrlich, Kate Erbland, Alison Foreman, Marcus Jones, Ryan Lattanzio, Brian Welk, and Christian Zilko contributed to this article.ĭirector: Chiaki Yanagimoto and Ben Braun We’ve asked around, and trust us: These movies are worth getting excited for. In the meantime, IndieWire’s Sundance wish list is back to gather the buzz on many of the most promising movies angling for a slot at America’s highest-profile festival as it aims to reclaim its influence. Martin Scorsese's Favorite Movies: 56 Films the Director Wants You to See With No Studio Entries, Best Animated Short Is an Open Race for Indies and International Titles Read Our 15 Most Popular Sundance 2023 Stories, and Feel Like You Were at the FestivalĬritics Survey: The Best Movies of Sundance 2023, According to 367 Critics As usual, programmers are digging through thousands of submissions as they hustle to lock the lineup in time for Thanksgiving, with the lineup poised to be announced in late November. After countless productions were put on hold at the start of the pandemic, they’ve been revving back to action over the past year, and many filmmakers have been waiting for the prospects of a boisterous Sundance premiere for months. Now, the market and culture of moviegoing remains in flux, and Sundance is poised to return to the scene just in time to launch a wide array of movies into that ever-changing climate.Īnd there are a lot of movies in contention. While the pandemic disrupted the film industry in 2020, Sundance managed to take place that year just before the shutdowns, launching future Best Picture winner “CODA” into an unpredictable landscape. While films will still be available to online ticket holders starting January 24, the main emphasis will be the in-person experience that put Sundance on the map in the first place. The Park City event is set to return to Park City on January 19 and continue through January 29. After two years of virtual festivals, Sundance is overdue for a comeback.
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